From A Girl's Point
of View:
"The Philosophy of
Clothes"
by Lilian Bell, 1898
Now take the extravagant girl with her flowered taffeta
silk, or plain satin, or brocade dress. There is at once the effect of
richness and elegance. No matter how sweet and pretty she is, you at once
decide that you never could afford to dress her. But that taffeta cost,
perhaps, only a dollar a yard. The satin, possibly a dollar and a half. They
require almost no trimming, because the material is so handsome and the
effect must be as simple as possible. Such a gown never need be lined with
silk unless you wish to do it. Many a girl gets up such a gown for fifty or
sixty dollars. And then think of the service that there is in it. It does
not tear, it does not crush. When she comes home she looks as fresh as when
she started. When it soils at the edge of the skirt, she has it cleaned, and
there she is with a new dress again. Do you call that extravagant? Why, my
dear sirs, it is only the very rich who can afford to wear simple white
muslins !
Men only take in the effect. Women know how the effect is produced. Of
course, now I am speaking of the general run of men and women: neither the
man who clerked at Cash & Silk’s nor the one who pays his wife’s bills in
Paris, but the man in his native state of charming ignorance of materials;
the man who always suggests a “gusset” as a remedy for too scant a gown, who
calls insertion “tatting,” and who, in setting out for the opera, will tell
his wife to put on her “bonnet and shawl,” although she may have on
point-lace and diamonds. In his more modern aspect he tells you that a girl
at the Junior Promenade had on a blue dress with feathers around her
neck—which you must translate into meaning anything from blue satin to
organdie, and that between dances she wore a feather boa.
It is the effect only that men take in; and when a man goes into ecstasies
over a gown of pale green on a hot day just because you look so cool and
fresh in it, when you know that you paid but forty cents a yard for it, and
only nods when you show him your velvet and ermine wrap, which cost you two
hundred dollars, I would just like to ask you if it pays to dress for him.
Women know this from a sorrowful experience. Girls have to learn it for
themselves. A ball- dress of white tarlatan, made up over white paper
cambric, with a white sash, will satisfy a man quite as well as a Paris
muslin trimmed with a hundred dollars’ worth of Valenciennes lace and made
up over silk. Most of them would never know the difference.
I do not know whether to be sorry for these men or not. It must be lovely
not to agonize and plan and worry to have everything the best of its kind. I
would like to take in only the effect, and never know why I was pleased. Too
much analysis is death to unmitigated rapture...One of these delusions is
the “simple white muslin” delusion. When a man speaks of a “simple white
muslin” in the softly admiring tone which he generally adopts to go with it,
he means anything on earth in the line of a thin, light stuff which produces
in his mind the effect of youth and innocence. A ball-dress or a cotton
morning-gown is to him a “simple white muslin.”
Now a word with you, you dear, unsophisticated man. I have heard you, with
the sound of your hundred-and-fifty-dollar-a-month salary ringing in your
ears, gurgle and splash about a girl who wears “simple white muslins” to
balls; and I have heard you set down, as extravagant, and too rich for your
purse, the girl who wears silk. There is no more extravagant or troublesome
gown in the world than what you call a ‘‘simple white muslin.’’ In the first
place, it never is muslin, unless it is Paris muslin, which is no joke, if
you are thinking of paying for it yourself, as it necessitates a silk
lining, which costs more than the outside. If it is trimmed with lace, that
would take as much of your salary as the coal for all winter would come to.
If trimmed with ribbons, they must be changed often to freshen the gown,
whose only beauty is its freshness. Deliver me from a soiled or stringy
white party-dress. If it can be worn five times during the winter, the girl
is either a careful dancer or else a wallflower. In either case, after every
wearing she must have it pressed out and put away as daintily as if it were
egg-shells, all of which is the greatest nuisance on earth. Often such a
gown is torn all to pieces the first time it is worn. Scores of “simple
white muslin” ball-gowns at a hundred dollars apiece are only worn once or
twice.
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(c) Copyright 2000.
04/22/2006
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